Compare the emotions portrayed in Mrs Lazarus and Answer by Carol Anne Duffy.
Have you included:
1. Overview
Both poems interweave ideas of love and death;
Both poems are personal and from a first person point of view – although Mrs Lazarus is narrative whereas Answer is a dramatic monologue;
The love in Answer is immutable, eternal and defeats death; the love in Mrs Lazarus changes and wanes on the death of her husband.
2. Sensuality Both women display a high degree of sensuality in their language. Duffy shows women to be sensual and sexual in their relationships with men.
Answer:
- Within the formality and rigidity of the structure, Duffy refers to the sensual pleasures of love:
“kiss… tongue… heart… arms… mouth…”
Mrs Lazarus
- The dead husband is reduced throughout the poem to “the shrunk size of a snapshot”, until “His scent” vacated the home. The husband’s presence reduced to a mere sense-perception, suggesting the warmth of the love they had shared
- The sensuality of her shock on touching “a man’s strength”
3. Passion Both women are passionate in their loving
Answer:
- The imagery of fire and “hissing flame” and the “small coal glowing” suggests passion
- The choice of verbs suggests passion: “roaring, foaming… spinning… waves torn from my breath”
- A high calibre student may make links from here also to Anne Hathaway as another example of a powerfully passionate and sensual character, particularly in the interplay of language and sensuality.
Mrs Lazarus
- The passion of her grief is extreme in her passionate choice of verbs: “ripped… howled, shrieked, clawed”
- The alliteration of “Gone home. Gutted the place” echoes the description of her passionately having “retched” his name. almost onomatopoeic.
- A high calibre student may gon on and comment on the echoes here of Havisham but a pain from which Mrs Lazarus escapes whereas Mrs Havisham does not.
4. The Partner
Answer:
- The image of her lover’s kiss as a “fossil” suggests that even if his love were long dead (literally or emotionally) her love for him would endure
- The image of the partner being “sealed up” or “locked” in ice suggests a form of death or absence;
- The image of the partner’s body as “only breeze against my dress” suggests again an absence.
- Notice how the speaker’s love remains as emphatic as ever in the repeated “yes yes” even if unrequited
Mrs Lazarus
- His “dwindling” from husband to
- “snapshot”, to
- a “name” which no longer worked as a “spell” to conjure up the image of his “face”,
- the eventual loss of the final physical evidence of his existence as the “last hair on his head / floated out from a book” and his scent was lost,
- to just the “zero” of the wedding ring – notice the use of the physical shape of the ring to symbolising not the eternity of love as is traditional but the death of love and its reduction to nothing,
- to “legend, language” and eventually
- “memory”, devoid of emotion and allowing her to move on.
- Notice that the process is one allowing her to become “healed” not of abandoning her husband
- Notice the “horror” she feels when she finds him resurrected: “rotting shroud, moist and dishevelled”
- Not simply a visceral horror of the reanimated rotting corpse (more zombie than resurrection) but also the emotional horror of facing the man she has moved on from, rendering him a mere “cuckold”
5. Conclusion
Which version of love seems most realistic or healthy?
A love that continues despite the death or absence or withdrawal of the lover sounds romantic, but can become obsessive, self-defeating and ultimately a form of “death” itself.
A passionate love that feels desolation and grief but allows the surviving partner to heal seems much more healthy.